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(Music publisher, producer, manager, 1884–1985) Publisher Irving Mills was early to recognize the potential in black music. He formed Mills Music, Inc. with his brother in 1919 and enjoyed a business relationship with Duke Ellington from 1926–39 that brought a procession of Ellington songs into the Mills catalogue. He also formed the Mills Blue Rhythm Band in ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, songwriter, 1888–1989) Born Israel Beilin in Siberia, Berlin’s family relocated in 1893 to New York, where he broke into vaudeville. He published his first song in 1907 and in 1911 had his first major hit with ‘Alexander’s Ragtime Band’. One of America’s most prolific melodicists, Berlin wrote hundreds of tunes that became standards, including ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

1888–1989 American composer Born in Siberia of Russian-Jewish parents (his real name was Israel Balin) who emigrated to New York when he was a child, Berlin was self-taught and sold his first successful song (‘Sadie Salome, Go Home’) before his 20th birthday. ‘Alexander’s Ragtime Band’ in 1911 was an international hit. In all, he wrote over 1,000 ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, 1908–67) A crooner and scat singer, Billy Banks was a protégé of agency impresario Irving Mills. He headlined a handful of legendary records in 1932 by the Rhythmakers – less interesting for his vocals than for the punchy, eccentric work of the all-star band, which included Henry ‘Red’ Allen, Pee Wee Russell, Fats Waller ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Universally acknowledged as one of the twentieth century’s emblematic composers, Edward Kennedy ‘Duke’ Ellington used his long-standing touring orchestra as a tool to create wholly unique tonal colours and a distinctive harmonic language in jazz. His career was characterized by the close and long-lasting relationships that he struck up with particular musicians and other figures from the music business, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1904–72) Self-taught as a guitarist, music was only a sideline for McDowell for the first 60 years of his life. He worked in the Memphis area before settling in Como, Mississippi to work as a farmer in 1929; he didn’t own a guitar until 1940. Discovered and recorded by Alan Lomax in 1959, McDowell’s ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Western classical music since the seventeenth century, because it placed great emphasis on harmonic subtlety and tensions between keys, had been less interested in melodic flexibility (a maximum of 12 notes to the octave, while Indian music uses 22) and in rhythm (regular division into bars, normally of two, three, four or six beats; Indian ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

This section encompasses styles that were, at least initially, designed to work in tandem with other forms of expression, deepening or enhancing their impact. The scores of musical theatre are woven into stories played out by the characters on stage. A film soundtrack is composed to interlock with the action on a cinema screen, while cabaret songs ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The schools of naturalism and realism had an immediate effect in Italy. With scant literary tradition to draw on from this period, Italian writers in the second half of the nineteenth century seized upon Zola’s beliefs as a potent dramatic source. The style they developed came to be known as verismo and was exemplified by writers such as Giovanni Verga ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘The Triptych’ In constructing an operatic triple-bill, Puccini followed no precedent. He had nursed the idea for some time, to the despair of Giulio Ricordi, who felt it would be a box-office disaster. With the publisher’s death in 1912, Puccini soon felt able to work on the project. His librettist for La rondine, Giuseppe Adami, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Al’-ban Bârg) 1885–1935 Austrian composer Berg came from a cultured background, but had little serious musical training until, at 19, he began studying with Schoenberg. His progress was rapid, but although he was Schoenberg’s most naturally talented and most devoted pupil, Mahler’s influence on him remained strong. His first published work, the Piano Sonata op. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The most strikingly original and authoritative voice on cornet since Louis Armstrong, Leon ‘Bix’ Beiderbecke set the example for a generation of aspiring white jazz players during the 1920s. His meteoric rise to fame was followed by a dramatic fall from grace that led to his ultimate death from alcoholism at the age of just 28 in 1931. A Self-Taught Genius ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Although he is often cited as the first ‘folk’ bluesman to record, Blind Lemon Jefferson was actually much more than that: he was America’s first male blues pop star. On the strength of his recordings for the Paramount label – some of which are said to have sold upwards of 100,000 copies – Jefferson became a celebrity throughout the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Charlie Christian was the last great figure to emerge from the jazz scene of the 1930s. He not only brought a perfectly formed approach to his music, but also an entirely new musical platform – the electric guitar. His career in the big time was brief, but Christian was a lighthouse whose beam still illuminates anyone with serious intentions ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

It’s easy to mock rock stars who pursue parallel careers as thespians. Firstly, because said parallel career has usually only been opened to them by their ‘proper’ job and, secondly, because the presumption of thinking they can excel at something for which others often study for years is mildly contemptible. Perhaps it’s something to do with his early ...

Source: David Bowie: Ever Changing Hero, by Sean Egan
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.